Dario Tabbia devoted himself especially to the study of ancient music. He regularly holds choral conducting courses on behalf of Feniarco and numerous other choral associations. In 2008 he founded the vocal ensemble Vox and the Chamber Choir of Torino. On the last edition of Florilège Vocale de Tours he won first prize with the in the Renaissance category, and other important awards and prizes with his choirs and has been member of jury in prestigious national and international choral competitions.
An analysis of the way of employment of musical accidents in Renaissance music. This is a way to understand how it is possible to get an interpretation of ancient music in accordance with the thought of the composer. This practise is strictly connected with the" teoria degli affetti", the key to perform Renaissance music.
Temperate and natural intonation are quite different in practise. So here is an analysis of these differences measured in cent. The understanding of this can be useful to solve many problems connected to musical performing.